deborah levoy artist and music teacher

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music

When I begin to write I have no idea where a song is going to take me. In taking the leap into the unknown, I enter into a creative world where I find joy and wonder. Sometimes writing is difficult and challenging; other times the songs flow right through me and onto the page. Each song and album has its own creation story, a few of which I’ve shared below.

Click here for: DEBORAH’S LYRICS

albums:

The Time Has Come

I was inspired to write the song “The Time Has Come” after participating in my first climate rally in San Francisco. Before the rally I was afraid that I might be one of only a dozen people attending, which would confirm my fear that hardly anyone was willing to put themselves out there on this issue. However, when I emerged from the Bart station into the San Francisco sunlight, I saw thousands of people with banners and signs, and I felt my hope rise up in me. The song’s lyrics reflect both my despair about the climate disaster we’re creating and the hope that we can, through activism, influence our leaders to take meaningful action on behalf of future generations. Here’s my personal story about becoming a climate activist.

This song features Walter Ogi Johnson on native flute, Bhanu Abeysekera on pow wow drum, Scott Sorkin on classical guitar, and Doug Pohorski on bass. Doug also recorded and mixed The Time Has Come. I’m always honored to collaborate with such talented musicians. The pow wow drum is the center of the song, symbolizing the heartbeat of Earth. I collaborated with filmmaker, Scott Bayer, to make a music video featuring the song and celebrating the work of climate activists across the country.

Something Sacred

My third album is a collaboration with writer and guitarist Josh Coleman. Because we started working together first as songwriters, and only later as recording artists, we decided rather than recording all songs in one style, that we would to allow each song to “become itself” in the studio, resulting in a collection of songs with distinct moods.

“Trapeze” started as a song of only verses – for the life of me I couldn’t come up with a chorus. Josh “the king of choruses” to the rescue!

You Are All of These

On my second album, recorded by Tom Carr at the Music Annex in Menlo Park, we wanted to capture the immediacy of each song. So rather than record each track (guitar and vocals) separately, we recorded “live in the studio”. I played each song as I’d perform them: full takes of both guitar and vocals recorded at the same time. Then we chose our favorite takes of each song for the album.

Drill, Baby ... Still?

I created “Drill, Baby … Still?” after the BP Gulf oil spill disaster. I was searching for a way to express the thoughts and feelings of my friends and family about the disaster. We solicited photos from everyone we knew, asking them to express in their photo a message about the spill. Word got out and soon I found myself in tears, incredibly moved by photos sent in by complete strangers. It was an honor to collaborate with the immensely talented hip-hop artist AshEL Seasunz on this song.

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