Growing up outside New York City, Levoy absorbed the diverse and eclectic musical influences spinning on her parents’ turntable: Billie Holiday, George Gershwin, Joni Mitchell, Billy Cobham, Joan Baez, and Irving Berlin. Levoy had her first musical epiphany in the fourth grade while watching Laura Weber’s, Folk Guitar, which aired on her local public television station. Levoy learned her way around the fretboard quickly, but shyness kept her from performing publicly until her first year of college, when she quite literally began to sing for her supper at a popular café at the University of Massachusetts. Levoy honed her vocal chops in nearby Northampton, performing in a vocal jazz ensemble, a jazz duo, and a world-beat band before launching her original music career.

As a songwriter Levoy thrives in immersing herself in the creative process as much as she does tasting the fruits of her labor. “Making music is like painting,” Levoy explains. “From a musical standpoint, I’m trying to get deep down to the essence of a thing with layers of tone, texture, and phrasing. And in my lyrics I want to express the beautiful parts of life, as well as the atrocities happening in the world, which I can’t pretend aren’t there. I’m not interested in writing in a way that’s necessarily obvious, but more in a way that my audience might be able to feel something as a way of knowing it. Although my writing is very personal, by performing my songs I feel myself stretching out to something powerful that connects all of us together.”

Levoy’s discography includes three prior albums: You Are All of These and Hungry City, both featuring her vocals and acoustic guitar; and Something Sacred, recorded with her former rock band. In this Canyon will be released in September of 2022.

Levoy has toured throughout the country, performing at prestigious music festivals and listening venues, including the Great American Music Hall, the Iron Horse Music Hall, the Kerrville Folk Festival, and the High Sierra Music Festival, as well as in premier showcases including ASCAP’s Quiet on the Set, The National Academy of Songwriters’ Acoustic Underground, EAT’M and Rockrgrl.